He was born on 1588, Paris and died 1672. He is an independent thinker and writer who developed a philosophy of skepticism more radical than that of Michel Montaigne but less absolute than that of Pierre Bayle. He became an avocat at the Parlement of Paris, taking over his father’s seat, but soon resigned when the attraction of belles letters became stronger. His work La Contrariete d’ humeur entre la nation francaise et l’espagnole (1636; “Conflicts of Interest Between the French and Spanish Nations”) and Considerations sur l’ eloquence francaise (1638) earned him admission to the Academie Francaise in 1639. He was admired by the powerful Cardinal de Richelieu and was tutor to several noble youths, including from 1652 to 1657 Louis XIV, for whom he wrote a complete series of texts. The King rewarded him by appointing him historiographer of France and councilor of state.
His many philosophical works include De la vertu des paien (1642); “On the Goodness of the Pagans”); a treatise entitled Du peu de certitude qu’il y a dans l’ histoire (1668; “On the Lack of Certitude in History”), which marked a beginning of historical criticism in France; and five skeptical Dialogues, published posthumously under the pseudonym Orosius Tubero, which are concerned, respectively, with diversity in opinions, variety in customs of life and sex roles, the value of solitude, the virtue of the fools of this time, and differences in religion.

Charles Lamb (2 of 2)
Tags: Autobiographical Essays, Century Past, Charles Lamb and his Contemporaries (1933), Comments, Edmonton, Edmund Blunden, Elia, English Literarue (1815-1832), Greatest Achievement in Literature, Humour, India House, London Magazine (1820), Marginalia, Oxford History of English Literature (1963), Pathos, Perceptive Criticisim, Personal Taste, Phrase, Politics, Pseudonym Fellow Clerk, Reactions, Religion, Responses, Sex, south Sea House, Suffering, the Last Essay of Elia (1833), The Standard Biography (1905)
Lamb’s letter, however, contain much of his most perceptive criticism and reveal his personal tastes. The criticism often appears in the form of marginalia, reactions, and responses: brief comments, delicately phrased, but hardly ever argued through.
It was the founding of the London Magazine in 1820 that gave birth to “Elia” and to Lamb’s greatest achievements in literature. The essays are almost wholly autobiographical (though often he appropriated to himself the experiences of others). Many of the best deal with things half a century past; vistas revealed by an imagination looking back down the experiences of a lifetime. Lamb adopted the pseudonym “Elia” (the name of a fellow clerk) in order to spare the feelings of his elder brother, John, at that time a clerk in the South Sea house, which is the subject of the essay.
The persona of “Elia” predominates in nearly all of the essays, Lamb’s style, therefore, is highly personal and mannered, its function being to “create” and delineate this persona, and the writing though sometimes simple is never plain. The essays conjure up, with humour and sometimes with pathos, old acquaintances such as Samuel Salt, recall scenes from childhood and from later life, indulge the author’s sense of playfulness and fancy, and avoid only whatever is urgent or disturbing: politics, suffering, sex, religion. The first essays were published separately in 1823; a second series appeared, as The Last Essays of Elia, in 1833.
After Lamb’s retirement from the India House, a worsening of his sister’s condition obliged the pair to move to Edmonton. This separation from the friends who gave him life and courage did not help his spirits. His tendency to drink too heavily became more pronounced. He died at Edmonton from complications to a wound suffered in a fall. His sister outlived him by 13 years.
The standard edition of the works of Charles and Mary Lamb, edited by E.V. Lucas, appeared in 7 volumes in 1903-05. The best available edition of the letters, edited by Lucas, appeared in 3 volumes in 1935. The standard biography, also by Lucas, was published in 1905 (rev. ed. 1921). These is valuable critical material in Charles Lamb and his Contemporaries (1933), by Edmund Blunden, and in English Literature, 1815-1832 (in vol. 10 of Oxford History of English Literature) (1963), by Ian Jack. – The New Encyclopedia Britannica